![]() There's always gonna be certain D/Ss that people would favor in any given year, but I'd suggest really checking out D/S fromĨ8-89-I believe that's when the drummers really got midi-fied and the Drums were not to be pissed on in general. which I always viewed as having been more "elevated" into that slot of "opening the tripping doors" when DStar was gone. If you check out 82-88, they played a lot of Birdsong, Cassidy, MNS, PITB, etc. ![]() I think, in general, that the years when DarkStar was put away ( essentially 81-89), the D/S segment seemed to be most relevent as a "piece" rather than just a piss break. I prefer the aud I had back in the 90s to the stuffy SBD here.FWIW, according to Healy in his book, D/S come along mostly as a means for the band to go backstage and re-up, so it was meant to be a break of sorts born out of their habits. ![]() It's a good show, with some great moments. The GDTRFB is not bad, but not over the top. In fact, that whole segment S>F>SiU is like they're on skates or something.there's a gorgeous fluidity to it, particularly when heard on a decent aud. "Talkin' 'bout Fire!" The Stir It Up jam is nice 's easy on the ears. It's a good Scarlet, but this one is all about the Fire on the Mountain. And when Jerry comes skipping out of the shattered glass of the Victim jam into Scarlet.that's one of those intangible moments that warms the heart. Maybe there's some attendance bias, but I've yet to hear better versions than those two. The Victim is among the best I've heard.right there with the 7/12/90 version from the prior summer's RFK show. That is glorious and the outro finishes with an inspired flurry from Jerry. There's a brief stretch in the jam where Phil takes the bottom out and Jerry does a few little sticatto runs on the synth blanket. If you're a fan of the song like I am, then it's a must hear.
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